A Chariot Vase
Somewhere in the vicinity of the Warrior Vase was another
LH III C mixing bowl, sporting a procession of chariot-borne troops. Only
two tiny fragments of that vase are presently knownboth retrieved
from the heap of debris left behind by Schliemanns workmen. Each
sherd depicts part of an open-work chariot transporting two soldiers.
Although friezes of people in chariots were fairly common in Mycenaean
art, on those two sherds both the spearmen and the drivers wear their
shields in a manner unique in chariot iconography of the Myceanaean
Age, but found again in eighth-seventh-century chariot scenes.(1)
Regarding the chariots themselves, we have already alluded to their first
appearance in Greece on the Shaft Grave ring and tombstones, where they
are cumbersome box-like devices. Between that time and their appearance
as swift, light-weight, manoeuverable vehicles on a mixing bowl, the so-called
Chariot Vase of Mycenae ca. 400 years later, they had passed through a
total of three developmental stages.
In eighth-century representations, supposedly another 400
or more years after the Late Helladic III Chariot Vase, chariots, showing
no further modifications, look like direct descendants of
the twelfth-century type. One would hardly object if the model was incapable
of improvement, and thus remained unchanged for another 400 years, but
there is no evidence of its existence during those intervening centuries;(2)
and alongside the chariot which seems not to have changed for 400 years,
other models make their first known appearance.(3)
The lack of evidence for chariots between the twelfth and
eighth centuries, coupled with the impoverished picture of the Greeks,
which modern scholars note during that Dark Age, led Snodgrass
to conclude that chariots disappeared from Greece for 400 years, then
returned to their old form.(4)
Despite that admitted lack of evidence for continuity, H. Catling preferred
to follow those who believed that chariots did persist in their old form
throughout the Dark Age, rather than to add chariots to the long
list of war-gear that failed to survive the Mycenaean period, and did
not reappear in Greece until the eighth century or later. (5)
Nevertheless, Snodgrass, who has specialized in, and been instrumental
in compiling that long list of war-gear, and who has also
grappled with the problem of the Dark Age, which scholars place between
the end of the Mycenaean Period and the eighth century, still believed
that chariots disappeared for centuries, not to return until the eighth
century.(6) The debateat
times rather heatedstill continues.(7)
Integrally related to that controversy is yet another one concerning Homers
references to chariots and chariot warfare, which some date to the thirteenth
century, others to the eighthwhich raises a serious problem
for philologists as well.(8)
References
M. A. Littauer, The Military Use of the Chariot
in the Aegean in the Late Bronze Age, AJA, 76 (1972), pp. 145-146
and The Entrance to
the Citadel, n. 11.
H. W. Catling, A Mycenaean Puzzle from Lefkandi
in Euboea, American Journal of Archaeology 72 (1968), p. 48.
P. Greenhalgh, Early Greek Warfare (Cambridge,
1973), pp. 19, 29-39.
Snodgrass, Early Greek Armour and Weapons
(Edinburgh, 1964), pp. 159-163.
Catling (1968), p. 48.
Snodgrass, The Dark Age of Greece (Edinburgh,
1971), p. 433; idem, An Historical Homeric Society? Journal
of Hellenic Studies 94 (1974), p. 123, n. 40; idem, review of Greenhalghs
Early Greek Warfare in Journal of Hellenic Studies 94
(1974), p. 225.
Greenhalgh (1973, pp. 19, 29-39),
J. V. Luce, (Homer and the Homeric Age [London, 1975] pp. 39-40)
and O. Dickinson (Archaeological Facts and Greek Traditions,
Bulletin of the Archaeological Society of the University of Birmingham
12.2 [1973-74], pp. 39-40) all concur with Catling, postulating that
at least the aristocrats still used chariots during the Dark Age. Snodgrass
(see n. 6) still held his original position that probably no one could
afford such a luxury during the Dark Age, and the lack of evidence probably
signalled a lack of real chariotsa conclusion with which G. Kirk
(The Homeric Poems as History, The Cambridge Ancient
History, Third ed., Vol. II, pt. 2 [Cambridge, 1975], p. 840) agreed.
Greenhalgh, Early Greek Warfare [Cambridge, 1973], p. 19) noted
that the absence of evidence seems entirely due to the lack of any figural
representations in contemporary Greek art. That observation is certainly
true for Greece and the Aegeana source of consternation for art
historians, as we shall soon see. Cyprus, however, was both part of
the Greek world and in close contact with the Orient where the vehicle
presumably persisted; it has produced some actual chariot remains (V.
Karageorghis, Salamis in Cyprus [London, 1969] pp. 68-69, 78);
its Mycenaean and Archaic pottery, and its terracotta models frequently
depict chariots; its art continued to have figural representations at
a time when Greece did not; its armies continued to employ war chariots
long after the Greeks had ceased to use them; and all commentators,
including Snodgrass (1964, p. 163), believe that chariots
persisted in Cyprus throughout the Dark Age, with the seventh-century
examples even resembling the Mycenaean model (Karageorghis, p. 69).
Despite all that, both for actual remains and for representations of
chariots, Cyprus has that same embarrassing gap from the twelfth century
till the eighth/seventh (Karageorghis, A propos des quelques representations
de chars sur des vases chypriotes de lAge du Fer, BCH
90 [1966], p. 101; idem and J. des Gagniers, La Ceramique Chypriote
de style figure [Rome, 1974], pp. 15-17).
G. S. Kirk, ibid., p. 839. For discussions
favoring Mycenaean times, see Snodgrass, (1964, 1971); Kirk,
(1975); Greenhalgh, (1973, p. 17); R. Hope Simpson and
J. F. Lazenby, The Catalogue of the Ships in Homers Iliad
(Oxford, 1970), pp. 4-5. For discussions favoring the eighth century,
See J. K. Anderson, Homeric, British and Cyrenaic Chariots,
American Journal of Archaeology 69 (1965), pp. 349-352; idem,
Greek Chariot-borne and Mounted Infantry, American Journal
of Archaeology 79 (1975), pp. 175, 184 and Shaft
Grave Art: Modern Problems, n. 63; G. Ahlberg, Prothesis
and Ekphora in Greek Geometric Art (Lund, 1971), p. 210; idem, Fighting
on Land and Sea in Greek Geometric Art (Lund, 1971), pp. 70 and
n. 34, 109-110. For discussions that waver between Mycenaean times and
the eighth century, see Kirk, The Language and Background of Homer
(Cambridge, 1964), p. 176 and J. Wiesner, Fahren und Reiten (Archaeologia
Homerica, I F) (Göttingen, 1968), pp. 92-110, esp. 93.
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